External conflict on its own rarely stands up as being big enough, emotional enough or important enough. Yes, external factors are important in keeping a story moving, but internal factors are the driving force behind character arc and development, and our pathways to making two-dimensional, imaginary characters human. Real.
Show. Don’t tell.
Every person who has ever put pen to paper has heard this line. Don’t tell us we are in Paris, give us the acrid scent of the Seine mixing with buttery croissants, give us the crunch of rough, dusty cobblestoned streets beneath our feet, give us the taste of acrylics on the air from freshly painted street art.
What’s the big appeal of writing what some consider fiction to fall on the wrong side of the fair use question? Why spend hours – and hours and hours and hours – playing house with another author’s characters? Well, there are many answers to that question.