This house, specifically, has called to my baser self for over a year. What does that have to do with writing? Everything.
There’s a reason they say write drunk, edit sober. Your inhibitions should be down while you’re writing and doubled while you’re editing.
Be a writer, they said. It will be easy, they said.
I do not have a half-naked Greek Goddess of muse and creativity lying across my bed. Inspiration doesn’t work like that.
External conflict on its own rarely stands up as being big enough, emotional enough or important enough. Yes, external factors are important in keeping a story moving, but internal factors are the driving force behind character arc and development, and our pathways to making two-dimensional, imaginary characters human. Real.
As wonderful as my character’s tragic backstory or hushed conversation might be, none of that matters an iota if I don’t get the beginning right.
If you follow write what you know literally, you are going to severely limit yourself as a writer.
Let’s delve a little into point of view choice between first, second and third, and see what influencers, challenges and story elements will help us make our decisions about which to use.
Before we can avoid writing her, or accidentally scare ourselves into a corner and avoid writing women altogether, it’s important to ask: What exactly is a Mary Sue, and why don’t we want one?
Though it has its many positives, there are certain pitfalls any writer can run into when writing a series. Taking these precautionary steps in advance will help you to minimize the challenges down the line and, hopefully, to produce better books.