If you follow write what you know literally, you are going to severely limit yourself as a writer.
Let’s delve a little into point of view choice between first, second and third, and see what influencers, challenges and story elements will help us make our decisions about which to use.
Before we can avoid writing her, or accidentally scare ourselves into a corner and avoid writing women altogether, it’s important to ask: What exactly is a Mary Sue, and why don’t we want one? Continue reading Beware the Mary-Sue
Though it has its many positives, there are certain pitfalls any writer can run into when writing a series. Taking these precautionary steps in advance will help you to minimize the challenges down the line and, hopefully, to produce better books. Continue reading Get Series-ous: Seven Things to Do Before Starting Your Series
Still, as someone who obsessively plans, outlines, plots and interviews, one of my most beloved tools of writing has stuck by me time and again. It’s not uncommon or revolutionary, not now, but it’s gotten me out of more sticky plot issues and setting questions than I care to admit. Behold the power of the storyboard. Continue reading Storyboard Not Storybored
I’ve also written stories in some pretty unique and odd places, scribbled out conversations, speed-typed a strand of dialogue onto my phone while I was supposed to be paying attention Chemistry. My odd writing experiences have taken me a great many places, here are just a few of the weird and wonderful spots where I’ve stopped to jot down ideas.
For a writer, reading is the equivalent of a carpenter keeping his tools sharp, a baker trying new ingredients, a computer specialist downloading new program updates. Reading isn’t an escape, it’s an education, it’s how we as writers continue to write. Continue reading Don’t Be a Writer, Be Reading