I’ve also written stories in some pretty unique and odd places, scribbled out conversations, speed-typed a strand of dialogue onto my phone while I was supposed to be paying attention Chemistry. My odd writing experiences have taken me a great many places, here are just a few of the weird and wonderful spots where I’ve stopped to jot down ideas.
Every writer has their own style and approach to a story. Some research first, others outline and plan, and some dive right in with nothing more than a name and a vague idea for where their novel might end up. As you can probably guess, I’m not one of those people.
While there are a great many similarities between the tips for fiction and nonfiction writers block, I would say there are a great many differences too. Writing fiction employs a variety of skills that don’t necessarily overlap with those utilized for journalism or nonfiction. That does not mean it is easier or harder, simply different.
Cities do not speak. Beaches do not dance. Mountain ranges do not dream. Places are not, intrinsically, human. The humanity we derive from them is based in our own perception, the sights, sounds and smells that form a location or environment in our mind.
There is no natural anthropomorphism to a place, and that is why it is so important that we put it there.
The goal, ultimately, is to make your reader feel as though they are no longer reading, but rather, fully immersed in the story.
There are several ways to go about doing this. Here are just a few.
I’ve seen a lot of people wondering about book challenges, so I thought I’d cover the benefits of a big book challenge and why I do them!
From the outside, writing doesn’t look too hard. After all, I spent eight to ten hours a day on my computer, doing the thing I love most in the world. What could be difficult about that? I get to research unique and interesting things, and tell the stories that I want to tell. It’s the dream job.
And it is the dream job, but it’s sure as hell not an easy one.
These characters are the lens through which a tale is told, and who they are–and how well the author knows them– directly influences that story. You’d be hard pressed to find a writer who didn’t understand the importance of heroes and heroines.
The same can’t always be said of the villains, however.
When writing a large cast, you have to know your characters really well. More importantly than that, however, you have to know how they interact with one another. Here are two exercises you, as an author, can do to ensure your characters are rounded and fully-developed before they ever hit the pages of your book.
Because there is a fine line between being alone to write and being lonely.