Place as Character

Cities do not speak. Beaches do not dance. Mountain ranges do not dream. Places are not, intrinsically, human. The humanity we derive from them is based in our own perception, the sights, sounds and smells that form a location or environment in our mind.
There is no natural anthropomorphism to a place, and that is why it is so important that we put it there. Continue reading Place as Character

Diving Deep: The Deep POV Question

The goal, ultimately, is to make your reader feel as though they are no longer reading, but rather, fully immersed in the story.

There are several ways to go about doing this. Here are just a few. Continue reading Diving Deep: The Deep POV Question

Villains – Make Them Good or Make Them Gone

These characters are the lens through which a tale is told, and who they are–and how well the author knows them– directly influences that story. You’d be hard pressed to find a writer who didn’t understand the importance of heroes and heroines.

The same can’t always be said of the villains, however.  Continue reading Villains – Make Them Good or Make Them Gone

Two is Company, Six is Ensemble Writing

When writing a large cast, you have to know your characters really well. More importantly than that, however, you have to know how they interact with one another. Here are two exercises you, as an author, can do to ensure your characters are rounded and fully-developed before they ever hit the pages of your book. Continue reading Two is Company, Six is Ensemble Writing