Think about the book you are writing. Think about the book you want to write. Picture it in your mind, the characters, the setting, the themes, the mood. Is it gritty? Is it lush? Is it joyful? Find yourself in that place, that world, surrounded by those characters. Now, answer this question in one sentence.
First of all, congrats! Your interest in doing National Novel Writing Month shows an excitement for writing and storytelling and a willingness to rise to the challenge of writing a whole book in a month!
I haven’t attempted NaNo in three years, but I’ll be doing it with you this year! My NaNo project is the third book in a current series, and I look forward to trying the challenge again, especially after all that I’ve learned as a writer and NaNo-er!
There is no right or wrong way to go about an interview, but I’m going to share some of my favorite techniques for better understanding, empathizing and, eventually, sharing my characters with the world at large.
I may have a little insight into how to reconstruct your book while you are standing in it. Here are a few tips and tricks to starting over from the inside out.
And sometimes, as much as it pains me to admit it, writing doesn’t always take the priority.
Writing is wonderful. It’s like playing God, sculpting worlds, forming new people from nothing but your fingers against the keyboard, giving life to the two-dimensional creations of your own mind, weaving spells of love and pain and the whole spectrum of human emotion.
I love being a writer, but that’s not why I do it.
Why on earth would you do that? How much of a story can you possibly tell in that short amount of space? Well, for anyone who has read the six-word story by Hemingway, “For sale: baby shoes, never worn,” you’ll know an awful lot can be said with an awful little.
Here are just a few reasons to give microfiction a try.
This house, specifically, has called to my baser self for over a year. What does that have to do with writing? Everything.
I have a Faulkner quote hanging in the top right corner of my vision as I sit at my desk, and it’s come to be something I live my life by.
There’s a reason they say write drunk, edit sober. Your inhibitions should be down while you’re writing and doubled while you’re editing.