Plotters plot and pansters fly by the seat of their pants. I have done both in many genres of writing, including both fiction and nonfiction, and let me tell you–I will never be a pantser.
I’ve also written stories in some pretty unique and odd places, scribbled out conversations, speed-typed a strand of dialogue onto my phone while I was supposed to be paying attention Chemistry. My odd writing experiences have taken me a great many places, here are just a few of the weird and wonderful spots where I’ve stopped to jot down ideas.
While there are a great many similarities between the tips for fiction and nonfiction writers block, I would say there are a great many differences too. Writing fiction employs a variety of skills that don’t necessarily overlap with those utilized for journalism or nonfiction. That does not mean it is easier or harder, simply different.
Writer’s block was no longer a good enough reason not to write, but that didn’t mean I was suddenly cured of it. The deeper I got into writing, the more resources I found for managing my muses, so to speak. It wasn’t that I suddenly, magically, never got writer’s block again. I just knew the importance of finding ways to overcome that challenge.
Cities do not speak. Beaches do not dance. Mountain ranges do not dream. Places are not, intrinsically, human. The humanity we derive from them is based in our own perception, the sights, sounds and smells that form a location or environment in our mind.
There is no natural anthropomorphism to a place, and that is why it is so important that we put it there.
The goal, ultimately, is to make your reader feel as though they are no longer reading, but rather, fully immersed in the story.
There are several ways to go about doing this. Here are just a few.
I’ve seen a lot of people wondering about book challenges, so I thought I’d cover the benefits of a big book challenge and why I do them!
These characters are the lens through which a tale is told, and who they are–and how well the author knows them– directly influences that story. You’d be hard pressed to find a writer who didn’t understand the importance of heroes and heroines.
The same can’t always be said of the villains, however.
So how do we get back up one more time than we are pushed down? Well, after too many rejection letters and setbacks to count, I’ve found a few good tips and tricks to standing a little bit taller.
First of all, congrats! Your interest in doing National Novel Writing Month shows an excitement for writing and storytelling and a willingness to rise to the challenge of writing a whole book in a month!
I haven’t attempted NaNo in three years, but I’ll be doing it with you this year! My NaNo project is the third book in a current series, and I look forward to trying the challenge again, especially after all that I’ve learned as a writer and NaNo-er!