Let’s delve a little into point of view choice between first, second and third, and see what influencers, challenges and story elements will help us make our decisions about which to use.
Before we can avoid writing her, or accidentally scare ourselves into a corner and avoid writing women altogether, it’s important to ask: What exactly is a Mary Sue, and why don’t we want one? Continue reading Beware the Mary-Sue
But it is also important to find a healthy, sustainable balance between the business and creative sides of your work, or you can find yourself wasting a lot of precious time on to do items with low ROI.
So where do you begin? Continue reading On the Write Track
The goal, ultimately, is to make your reader feel as though they are no longer reading, but rather, fully immersed in the story.
There are several ways to go about doing this. Here are just a few. Continue reading Diving Deep: The Deep POV Question
Though it has its many positives, there are certain pitfalls any writer can run into when writing a series. Taking these precautionary steps in advance will help you to minimize the challenges down the line and, hopefully, to produce better books. Continue reading Get Series-ous: Seven Things to Do Before Starting Your Series
Still, as someone who obsessively plans, outlines, plots and interviews, one of my most beloved tools of writing has stuck by me time and again. It’s not uncommon or revolutionary, not now, but it’s gotten me out of more sticky plot issues and setting questions than I care to admit. Behold the power of the storyboard. Continue reading Storyboard Not Storybored
The constructive critique is a vital tool and not just for the reasons you think. While there is much to be gained from new sets of eyes reading and analyzing your work, the value of a critique, whether in a classroom, writing group or on a peer-to-peer basis, is undeniable. Continue reading The Constructive Critique Question