If you follow write what you know literally, you are going to severely limit yourself as a writer.
Let’s delve a little into point of view choice between first, second and third, and see what influencers, challenges and story elements will help us make our decisions about which to use.
Before we can avoid writing her, or accidentally scare ourselves into a corner and avoid writing women altogether, it’s important to ask: What exactly is a Mary Sue, and why don’t we want one?
But it is also important to find a healthy, sustainable balance between the business and creative sides of your work, or you can find yourself wasting a lot of precious time on to do items with low ROI.
So where do you begin?
Though it has its many positives, there are certain pitfalls any writer can run into when writing a series. Taking these precautionary steps in advance will help you to minimize the challenges down the line and, hopefully, to produce better books.
Still, as someone who obsessively plans, outlines, plots and interviews, one of my most beloved tools of writing has stuck by me time and again. It’s not uncommon or revolutionary, not now, but it’s gotten me out of more sticky plot issues and setting questions than I care to admit. Behold the power of the storyboard.
The constructive critique is a vital tool and not just for the reasons you think. While there is much to be gained from new sets of eyes reading and analyzing your work, the value of a critique, whether in a classroom, writing group or on a peer-to-peer basis, is undeniable.
I’ve also written stories in some pretty unique and odd places, scribbled out conversations, speed-typed a strand of dialogue onto my phone while I was supposed to be paying attention Chemistry. My odd writing experiences have taken me a great many places, here are just a few of the weird and wonderful spots where I’ve stopped to jot down ideas.
For a writer, reading is the equivalent of a carpenter keeping his tools sharp, a baker trying new ingredients, a computer specialist downloading new program updates. Reading isn’t an escape, it’s an education, it’s how we as writers continue to write.
Being a writer is romantic. It’s dramatic. It’s a great conversation starter at parties. Being a writer carries an air of mystery that doesn’t reveal just how many light nights you spent crouched over your edits or pacing around your bedroom looking for names, conflicts, titles or anything that might help you crack through your writer’s block. On paper, if you’ll pardon the pun, being a writer seems like a pretty easy gig.