Writer’s block was no longer a good enough reason not to write, but that didn’t mean I was suddenly cured of it. The deeper I got into writing, the more resources I found for managing my muses, so to speak. It wasn’t that I suddenly, magically, never got writer’s block again. I just knew the importance of finding ways to overcome that challenge.
The goal, ultimately, is to make your reader feel as though they are no longer reading, but rather, fully immersed in the story.
There are several ways to go about doing this. Here are just a few.
From the outside, writing doesn’t look too hard. After all, I spent eight to ten hours a day on my computer, doing the thing I love most in the world. What could be difficult about that? I get to research unique and interesting things, and tell the stories that I want to tell. It’s the dream job.
And it is the dream job, but it’s sure as hell not an easy one.
These characters are the lens through which a tale is told, and who they are–and how well the author knows them– directly influences that story. You’d be hard pressed to find a writer who didn’t understand the importance of heroes and heroines.
The same can’t always be said of the villains, however.
When writing a large cast, you have to know your characters really well. More importantly than that, however, you have to know how they interact with one another. Here are two exercises you, as an author, can do to ensure your characters are rounded and fully-developed before they ever hit the pages of your book.
Because there is a fine line between being alone to write and being lonely.
Here’s what you need to know about being a writer. You have to get up. Because no matter how long it takes you, no matter how battle-weary you feel, no matter how many times you’ve cried this year, if you don’t get up, that’s game over.
Because I am a mad scientist writer with my hand in several pots all at the same time, I need to be organized. Really freaking organized.
Show. Don’t tell.
Every person who has ever put pen to paper has heard this line. Don’t tell us we are in Paris, give us the acrid scent of the Seine mixing with buttery croissants, give us the crunch of rough, dusty cobblestoned streets beneath our feet, give us the taste of acrylics on the air from freshly painted street art.
Think about the book you are writing. Think about the book you want to write. Picture it in your mind, the characters, the setting, the themes, the mood. Is it gritty? Is it lush? Is it joyful? Find yourself in that place, that world, surrounded by those characters. Now, answer this question in one sentence.